DE VROLIJKE VERNIETIGING / THE DELIRIOUS DESTRUCTION Free open-air exhibition
Oranje-Nassaupark, Heerlen
Entrance across CBS-weg 11
1.9.2025 / 19.12.2025
CATALOGUE
De Vrolijke Vernietiging catalogue
Limited edition 200
Full-color
Dutch/English Publication date 19th of December 2025 Order your copy here (€ 20,- including postage ) Chief editor: Maurice J. Hermans
Design: Buro Marcel van der Heyden Historisch Centrum Limburg. Toegang 519 Dia’s sloop Oranje Nassau Mijnen, ca. 1975, Mladen Pikulić
Texts: Marten Minkema, Maurice J. Hermans
Editing: Hanna Zwart, Thijmen Hermans
English translation: Claude AI
Curated by Maurice Hermans the exhibition tells the story of a vanished and vanishing landscape. It is named after the photo essay in the book De Antistad (The Anti-City) and has an ironic edge: destroying Dutch mining heritage was sold as a necessary step toward renewal, but it actually led to a loss of identity and an orphaned community. While other European mining cities treasure their industrial heritage, the Dutch chose a clean slate—a radical break with the past, dressed up as progress.
Fifty years after the Oranje-Nassau I mine closed, the Bosnian city of Zenica is shutting down its last coal mine. Zenica is where Heerlen once was: on the brink of major change. Pikulić’ images mirror the rigorous Dutch approach: they show Zenica's slow but inevitable break from the all-powerful industry. Will Zenica escape The Delirious Destruction?
DeVrolijke Vernietiging features both images by Jan Wismans, one of the coordinators overseeing the destruction of Heerlen's Oranje-Nassau mines, and by Bosnian-Dutch photographer Mladen Pikulić. The exhibition is part of the multidisciplinary project The Anti-City Guide.